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  <titleInfo>
    <title>Teatro contemporáneo</title>
    <subTitle>de Brecht a Pinter, de Nueva York a Tokio</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Clurman, Harold</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>software, multimedia</typeOfResource>
  <genre authority="">LITERATURA</genre>
  <originInfo>
    <place>
      <placeTerm type="text">Buenos Aires</placeTerm>
    </place>
    <publisher>Troquel</publisher>
    <dateIssued>1972</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
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  <physicalDescription>
    <form authority="marcform">electronic</form>
    <extent>407 p.</extent>
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  <subject>
    <name type="personal">
      <namePart>Camus, Albert</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Genet, Jean</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Ionesco, Eugène</namePart>
      <namePart type="date">1909-1994</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Weiss, Peter</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Bolt, Robert</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>O'Neill, Eugene</namePart>
    </name>
  </subject>
  <subject>
    <topic>CRITICA LITERARIA</topic>
  </subject>
  <subject>
    <topic>ACTORES</topic>
  </subject>
  <subject>
    <topic>PRODUCCION TEATRAL</topic>
  </subject>
  <subject>
    <topic>COMEDIA MUSICAL</topic>
  </subject>
  <subject>
    <topic>VIDA TEATRAL</topic>
  </subject>
  <subject>
    <topic>TEATRO CONTEMPORANEO</topic>
  </subject>
  <subject>
    <topic>TEATRO DE VANGUARDIA</topic>
  </subject>
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    <recordCreationDate encoding="marc">086019</recordCreationDate>
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